Horology is Hot

Really… I know that sounds kind of like a buzzword… but horology is hot! People are engaged with horology, cultural heritage and preservation right now! And it’s awesome! I am so excited that friends and colleagues are getting so much attention.

My favorite object in the world (!!) is headed to London to be featured in a new exhibition on Robots!

 

The clockmakers museum also moved to a new gallery at the Science Museum in London. Now folks visiting the Science Museum will have the exposure to a collection that holds such an incredible and rich history for horology. It’s all such wonderful news and momentum for our field.

And to top it off, Atlas Obscura just published on article on yours truly….you can read it here!

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Let’s keep it going! Get involved! Be engaged! Study! Create! Explore! You know where to reach me if you need a push.

 

 

Newsletter & Classes!

Let me start by saying, very best wishes for the New Year!

screen-shot-2017-01-19-at-5-38-14-pmTo start the year off, I’ve put together a newsletter containing shop updates. It’s basically a summary of happenings and the latest offerings at the workshop. It will cover upcoming classes, new making whimsies, featured conservation projects, riddles, and more. If you’d like to check it out or subscribe, you can do so here. Below are some excerpts from the newsletter. Don’t worry, I wont flood your inbox with stuff; it will be a rather infrequent publication.

The exciting news is that I have finally put together some class dates! Student numbers are very small this time around based on student feedback. We’ve set the limit at 4 to 6 people per class – so everyone gets more time on the machines and more one on one tuition. David Lindow will be  joining me in March for some advanced level classes. See class descriptions and sign up here!

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Dearly Beloved Banjos

We are gathered here today for a number of important updates. It has certainly been some time since my last post. I have been working on quite a few projects in the mean time. One being the launch of my colleague David’s new website: Lindow Machine Works. Check it out if you get a chance – his many talents and broad range of work are finally showcased. If you want to know more about his Lindow Rose Engine – there’s an easy to navigate Menu of his products (thank you again to Alexandre David for the amazing photograph of the Lindow Machine). If you are interested in his gorgeous custom clocks – there’s an incredible number of photographs showing the many movement styles he offers, dials, and finished cases in his Movement Gallery.

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David and I also presented a paper in Montreal at the American Institute of Conservation for Historic and Artistic Works 44th Conference on Guilloche work in conservation. The paper will soon be available through the post prints journal through the AIC.

Here’s an excerpt to peek your interest:

“The rose engine lathe is used in a broad scope of work that varies from decorative ivories to pottery, clocks, watches, and snuff boxes as well as glass molds, the printing of stamps, stock certificates, and plastic injection moldings. It stands as an enigma to all but a small group of artisans that use these machines. Despite the broad range of use, the techniques employed by these machines are seldom explained in books and publications. Often, the use of the rose engine in the creation of an object is not mentioned, even in instances where the machine was used to decorate the entire piece. In conservation a working knowledge of how an object was made is not only useful, but may be as crucial as knowing the materials with which it was made. With little scholarly work on the subject we endeavor here to scratch the surface and give a brief account of both the machine’s history and how it was used in the hope that it will foster further study. To this end we conducted a literature review, produced a catalogue of sixty common patterns, and prepared and treated twenty-eight metal samples. The samples consist of composition 353 brass, nickel silver, and fine silver. Using common non-conservation based treatment methods we aim to show how patterns become distorted and demonstrate the effects of oxidation on the reflective surfaces that give guilloche its characteristic flash. It is our hope that this will spur discussion about how to treat these highly reflective surfaces, as the characteristic flash of guilloche is arguably its most important tangible property.”

In addition to working on this paper with David, I have partnered with Al Collins on another project in the works. I’ll give you a sneak peek….maybe you can guess what it is?..

Coloring book!

In another effort to bestow upon me an appreciation for American horology David took me to see a fascinating private collection of clocks. This gentleman has spent years collecting and rescuing American Banjo clocks. The incredible breadth of information he has compiled must make him the leading scholar on this particular branch of American horology. And now without further ado… perhaps the most elaborate and extensive collection of American Banjo clocks…..well almost – there is another thing I must tell you about first –

I have to say I have been lucky to see some beautiful American pieces up close – such as a Howard Company regulator (photos of such to come soon) and this amazing American screw clock and patent model that will soon be sold by Jonathan Snellenburg at Bonhams auction house. I am absolutely smitten with that patent model. I mean – GOSH! – just think about cutting that worm with such precision over such a length when it was made! WHAT?! HOW?!

 

And now! More Banjo clocks than you ever thought you’d see in one place. You’re welcome. 

bmighty

 

And last, but not least – the most important Banjo of all….

Banjo Edison Bloom – aka little ink spot.

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Memoria Technica Workshop Year One! – Jan. 19. 2015

Hello all! The holidays kept me quite busy along with setting up the shop. I hope everyone had a wonderful holiday season.

It’s strange to think back to where I was and what I was doing this time last year. I had only just started the Harmon Estate  project not a month before. After digging through horological wonders for 7 months and selling quite possibly the most amazing collection this world has ever known, I returned to Seattle to begin the process of setting up my own shop. I am happy to report that I am now very close to being open for business.

You may have noticed some changes to the blog/website. I welcome your feedback and hope things are a bit easier to navigate. The blog is now located on the upper navigation bar on the right hand side under Automata Cabinet.

On another note I wanted to share this amazing work with you. Enjoy!